วันเสาร์ที่ 28 มีนาคม พ.ศ. 2552

High Druid of Shannara: Straken

High Druid of Shannara: Straken

High Druid of Shannara: Straken

The High Druid of Shannara trilogy draws to a thrilling close as a young hero nears completion of his trial by fire, a banished ruler fights for her life in a wilderness of dread, and forces of darkness and light square off in a battle unto death for the right to absolute rule. Prepare to be spellbound by the masterly hand of bestselling legend weaver Terry Brooks, conjuring at the peak of his skills.

For reasons known only to himself, the King of the Silver River has charged young Penderrin Ohmsford, barely more than a boy, with the daunting task of rescuing his aunt, Grianne, Ard Rhys of the Druid order, from her forced exile in the terrifying dimension of all things damned: the Forbidding. With the noble dwarf Tagwen and the prodigal elven princess Khyber Elessedil by his side–and with the outcome of the bloody war between the Federation and the Free-born at stake–Pen has accepted his mission without question. But not without risk . . . or sacrifice.

Because Shadea a’Ru, the ruthless Druid responsible for imprisoning the true Ard Rhys and usurping leadership at Paranor, has sent her agents and assassins in relentless pursuit of Pen and his comrades. And in securing the talisman he needs to breach the Forbidding, Pen has paid a devastating price. Now if the Free-born forces–already decimated by the Federation’s death-dealing new weapon–should fall, Shadea’s domination of the Four Lands will be assured. Nothing short of Pen’s success can turn the tide.

But Pen’s challenge grows greater when he learns that his parents, Bek Ohmsford and Rue Meridian, have fallen into Shadea’s hands. He must try to help them–but once within the walls of Druid’s Keep, where Shadea’s minions and dark magic lurk at every turn, Pen’s survival is far from assured. Yet it will all pale in comparison to the horrors that wait inside the Forbidding–horrors poised to break free upon the Four Lands when the time is right. . . .


From the Hardcover edition.

Product Details

  • Amazon Sales Rank: #45407 in Books
  • Published on: 2007-08-28
  • Released on: 2007-08-28
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 432 pages



  • Editorial Reviews

    From Publishers Weekly
    In bestseller Brooks's satisfactory conclusion to his High Druid of Shannara trilogy (after 2004's Tanequil), young Pen Ohmsford retrieves the "darkwand," whose magic will allow him to enter the Forbidding and find his aunt Grianne Ohmsford, the Ard Rhys of the lawful Druids and the Straken queen. Meanwhile, though the elven army has been defeated, Pied Sanderling leads a desperate (and well-depicted) commando-style operation to destroy a secret superweapon of the Federation. Pen's parents are simply trying to find their son. While the author may not equal the wit of his earlier Magic Kingdom of Landover series, his characterization has grown substantially more sophisticated over the years, and both his optimism about the triumph of virtue and his avoidance of graphic sex and slaughter make this series an excellent starting place for younger readers wishing to explore high fantasy.
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From Booklist
    Brooks concludes the High Druid of Shannara trilogy, which begins with Jarka Ruus (2003) and continues with Tanequil (2004), in an equally rich and riveting high-fantasy style. Young Pen Ohmsford, now armed with the darkwand he obtained from the ancient sentient tree Tanequil, is taken to Parador by Druids who have been pursuing him, is imprisoned, and is deprived of the darkwand, his only means of crossing over into the Forbidding to rescue his aunt Grianne, held captive by a demon. Can Khyber Edessedil, wielder of the Elf Stones, rescue him? The demon that passed through to the Four Lands when Grianne was taken is still working to destroy the barrier between the two worlds. Shadea, the false leader of the Druids, and Federation prime minister Sen Dunsidan continue their machinations aimed at destroying the elf and dwarf populations and expanding their sovereignty. All characters remain true to their already established identities, and Brooks unerringly weaves the many threads of his complex saga into an intricate and colorful tapestry that, taken with the previous books, casts the expected magical spell over the reader. Sally Estes
    Copyright © American Library Association. All rights reserved

    Review
    Praise for Terry Brooks

    “A great storyteller, Terry Brooks creates rich epics filled with mystery, magic, and memorable characters. If you haven’t read Terry Brooks, you haven’t read fantasy.”
    –Christopher Paolini, author of Eragon

    “Terry’s place is at the head of the fantasy world.”
    –Philip Pullman, author of The Golden Compass




    From the Hardcover edition.


    Customer Reviews

    Okay, but not thrilled3
    I have loved every Shannara book Terry Brooks has written; except this trilogy. While it had all the necessary components of a good story, I felt it lacked depth. It seemed like it was a story that had been edited severly in order to make it into three books. I think the story could have been expanded into a four-book series in order to tell the story in better detail. Those of you who read the third book will understand what I mean. I do have one question: What happened to Atalan? Was he killed or not? This is just one instance of many that bothered me. Good job, Terry, on your other books. Boo on this one.

    Great ending to the shannara series. 5
    I started reading Shannara books in November (First King), and I vowed not to stop until the library had run out of books. Well with Straken my journey has been completed. And i have to say it was an enjoyable one. Straken was easy to read and fast paced, Brooks' writing had really evolved since the Sword. The book has a great ending, there was nothing I wanted to see more than what happened. If you have followed the whole Shannara epic like I have, you have no reason not to read this book. I was just really sad when it was all over.

    good story4
    I enjoyed this story, but some of the pages were hard to read due to printing errors: fingerprint smudges, faint print across the page, ink blotches. If I were to do it again, I'd fork out the money for the hardcover.

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    Gardens of the Moon (The Malazan Book of the Fallen, Vol. 1)

    Gardens of the Moon (The Malazan Book of the Fallen, Vol. 1)

    Gardens of the Moon (The Malazan Book of the Fallen, Vol. 1)

    The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins.

    For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze.

    However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand . . .

    Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice.

    Product Details

  • Amazon Sales Rank: #9497 in Books
  • Published on: 2005-01-10
  • Released on: 2004-12-28
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 688 pages



  • Editorial Reviews

    From Publishers Weekly
    In this sprawling fantasy epic of the Malazan empire at war with its enemies and itself, the first of a projected 10-volume series, Canadian newcomer Erikson offers many larger-than-life scenes and ideas, but his characters seem to shrink to fit the story. Perhaps they need to stay small enough for the reader to keep them all in mind. Jumping often between plot lines, the novel follows Ganoes Stabro Paran from his boyhood dreaming of soldiers to his escape from imperial service. Paran travels on journeys of body and soul, going from innocent to hardened rebel against gods and empire without losing his moral core. Other characters may go further, to death and back even, but none is as sharply portrayed. The book features a plethora of princes and paupers, powers and principalities, with much inventive detail to dazzle and impart a patina of mystery and ages past. The fast-moving plot, with sieges, duels (of sword and of spell), rebellions, intrigue and revenge, unearthed monsters and earth-striding gods, doesn't leave much room for real depth. Heroes win, villains lose, fairness reigns, tragedy is averted. Erikson may aspire to China Miéville heights, but he settles comfortably in George R.R. Martin country.
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From Booklist
    In the first of a projected 10 volumes of the Malazan Book of the Fallen, the Malazan Empire is up to its eyebrows in the intrigues of mage Anomander Rake and his sorcerous minions, the Tiste Andii. The empress Laseen pursues her grisly ambitions with the aid of the Ninja-like Claw assassins, but Erikson focuses on the grunt-level fighting of military engineers Sergeant Whiskeyjack and his Bridgeburners and the field-grade mage Tattersall, who are more than ready to go home, when the empress commands a battle in and around the Free City of Darujhistan. Erikson portrays this hurly-burly--something very like the Lord of the Rings' Battle of the Pellenor Fields--from the perspective of those who had to get out of the way of the charges and exchanges of spells and sometimes died anyway. It remains to be seen whether Erikson's excellent writing will carry through nine more volumes of this gritty, realistic fantasy in the manner of Glen Cook's Dark Company series. Wager on fantasy readers' robust appetites, however. Roland Green
    Copyright © American Library Association. All rights reserved

    Review
    "A brilliant book! Exciting, inventive, intelligent--frequently funny. A wonderfful book to read and to recommend to others." -- David Drake

    "An astounding debut.has the potential to become a defining work in Fantasy." -- Neil Walsh, SF Site

    "Gripping, fast-moving, delightfully dark, with a masterful and unapologetic bruutality reminiscent of George R. R. Martin. Utterly engrossing." -- Elizabeth Haydon

    "There's nothing safe about fantasy like this: intriguing, complex, thought proovoking, exceedingly well-written, and, for the intelligent reader, exhilaratingly satisfying." -- Paula Guran, Cinemafantastique


    Customer Reviews

    Best fantasy series yet5
    Think Robert Jordan Crossed with George Martin. Super complex, and interesting, plot. Yes there are thing you may not understand at first, but that is on purpose, the characters don't understand either. As the series progresses the reader and the characters both learn more and more. Don't miss this.

    to forgive is human, to err divine5
    Erikson is doing something extraordinary with this series! Gardens of the Moon represents to me one of the most definitive, armor clad 'foot in the door' novels this genre has ever offered. This novel interweaves story lines going back hundreds of thousands of years, hints at layers and depth which can leave you totally stunned while at the same time delivering an unparalled stand alone story. Don't worry, throughout the series one does begin to develop a more panoptic view of this writhing, tangled epic. I am on Toll the Hounds now and have developed a true respect for this author (as I'm sure you will too).

    Internally Inconsistent1
    If you want an in-depth critical review, there are lots of others available here. I will keep mine brief. I heard from a friend that this series was interesting, but then again, he prefers a lot of books I turn out disliking. Because he's my friend, I'll at least give the first book of the series a try.

    The first thing I didn't like about this book was the Dramatis Personae. As soon as I saw that, I realized the book was going to introduce a bunch of characters, most of them cardboard cutouts that quickly disappear. I was not disappointed in this.

    The second thing I didn't like was the bombastic free verse pretending to be poetry. The lines didn't really tell me anything useful about the story at that point, so they annoyed me and made me skim over them. Maybe eventually they'll be important, but by then, I'll have long since forgotten.

    The third thing I didn't like was the way the story kept jumping around so much. Just when I thought I had figured out what was going on, the story moved on to a completely different location, with all-new characters, and a whole bunch of new stuff happening. Dickens was never this convoluted!

    The flaw that finally made me give up reading the book was on page 208 of the paperback. A guard who can't make up his mind what his name is, gets off duty and is walking back to the harbor where he grew up. He is struck by a sense of nostalgia, which is supposed to make him seem more human, but really just accentuates how one-dimensional he is. He sees the outlines of ships from distant city-states. I consulted one map provided and realized: Darujhistan is on a land-locked lake! How did these ships sail from those lands to here? Wouldn't it have been easier to transport the goods overland? The book is filled with powerful sorcerers, and "warrens" they use to move all over the place. Why don't the merchants simply use magic to move the goods directly into warehouses?

    In other words: the book isn't internally consistent - Erikson can't even keep his own geography straight. And "Simon Taylor, one terrific editor," didn't seem to have the nerve to bring this to Erikson's attention, so it could be corrected. How am I supposed to read fifteen books of this poor writing, when I can't even get through one?

    Thus is the curse that seems to befall so many who want to turn their D&D or GURPS or whatever RPG campaigns into fiction. The writers are so fascinated with telling us all about the worlds they invented, they forget to actually tell us a story that is interesting, filled with characters that are memorable, with plotlines that actually makes sense within the first couple hundred pages! I'm sorry, but I shouldn't have to read at least two more books to finally figure out what's going on. I've already been cheated out of $7.99 by this first book, so I'm not paying more.

    P.S.: I did like one reviewer calling the series, "The Marzipan Book of the Swollen". Very appropriate.

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    วันศุกร์ที่ 27 มีนาคม พ.ศ. 2552

    Spin

    Spin

    Spin

    One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

    The effect is worldwide. The sun is now a featureless disk--a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world’s artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they’d been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, a space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside--more than a hundred million years per year on Earth. At this rate, the death throes of the sun are only about forty years in our future.

    Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who’s forged a new religion out of the fears of the masses.

    Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans…and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth’s probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun--and report back on what they find.

    Life on Earth is about to get much, much stranger.

    Product Details

  • Amazon Sales Rank: #9938 in Books
  • Released on: 2005-02-07
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 464 pages



  • Editorial Reviews

    From Publishers Weekly
    One night the stars go out. From that breathtaking "what if," Wilson (Blind Lake, etc.) builds an astonishingly successful mélange of SF thriller, growing-up saga, tender love story, father-son conflict, ecological parable and apocalyptic fable in prose that sings the music of the spheres. The narrative time oscillates effortlessly between Tyler Dupree's early adolescence and his near-future young manhood haunted by the impending death of the sun and the earth. Tyler's best friends, twins Diane and Jason Lawton, take two divergent paths: Diane into a troubling religious cult of the end, Jason into impassioned scientific research to discover the nature of the galactic Hypotheticals whose "Spin" suddenly sealed Earth in a "cosmic baggie," making one of its days equal to a hundred million years in the universe beyond. As convincing as Wilson's scientific hypothesizing is--biological, astrophysical, medical--he excels even more dramatically with the infinitely intricate, minutely nuanced relationships among Jason, Diane and Tyler, whose older self tries to save them both with medicines from Mars, terraformed through Jason's genius into an incubator for new humanity. This brilliant excursion into the deepest inner and farthest outer spaces offers doorways into new worlds--if only humankind strives and seeks and finds and will not yield compassion for our fellow beings. Agent, Shawna McCarthy. (Apr. 14)
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From Bookmarks Magazine
    Spin is not merely a SF thriller. It’s also a coming-of-age tale, a love story, a literary triumph, and an ecological and apocalyptic warning. The award-winning Wilson excels at all aspects of his tale, from the human angle to the political, religious, biological, medical, and astrophysical theorizing. The first part elicited "jaw-dropping amazement" from critics; luckily, the pace slows over the remaining pages to recount the next few decades on Earth (Emerald City). If the plot involving the terraforming and colonization of Mars seems farfetched, put it in the context of Wilson’s deep characterization and convincing relationships, and you’ll be OK. After all, Spin is "a book about faith: especially our faith in ourselves" (Emerald City).

    Copyright © 2004 Phillips & Nelson Media, Inc.

    Review
    "Robert Charles Wilson is a hell of a storyteller."
    --Stephen King “One night the stars go out. From that breathtaking ‘what if,’ Wilson builds an astonishingly successful mélange of SF thriller, growing-up saga, tender love story, father-son conflict, ecological parable and apocalyptic fable in prose that sings the music of the spheres.”
    --Publishers Weekly (starred review) on Spin

    “Robert Charles Wilson is one of the best science-fiction writers alive, a fact borne out in his latest work… Spin is the best science-fiction novel so far this year.”
    --Rocky Mountain News

    “Wilson’s most ambitious and most successful novel to date…Wide-ranging and well-crafted.”
    --San Diego Union-Tribune on Spin

    “The long-anticipated marriage between the hard sf novel and the literary novel, resulting in an offspring possessing the robust ideational vigor of the former with the graceful narrative subtleties of the latter, might finally have occurred in the form of Robert Charles Wilson's Spin. Here's a book that features speculative conceits as brash and thrilling as those found in any space opera, along with insights into the human condition as rich as those contained within any mainstream mimetic fiction, with both its conceits and insights beautifully embedded in crystalline prose….Wilson does so many fine things, it's hard to know where to begin to praise him.”
    --The Washington Post

    “Of all SF writers currently active, Robert Charles Wilson may well be the best at balancing cosmic drama with human drama…Spin is many things: psychological novel, technological thriller, apocalyptic picaresque, cosmological meditation. But it is, foremost, the first major SF novel of 2005, another triumph for Robert Charles Wilson in a long string of triumphs.”
    --Locus

    "One of SF's distinctive qualities, often derided by mainstream critics as a weakness, is its literalization of metaphor, but Wilson's masterful exploitation of the Membrane's fictional possibilities provides an exhilarating demonstration of why precisely the opposite can be true...Spin is also a family drama that would not be out of place on mainstream shelves...Spin is a provocative, frequently dazzling read."
    --SCIFI.COM

    “A subtle and thought-provoking writer. Just when the reader thinks he knows where Wilson is going, he finds himself somewhere else entirely.”
    --Robin Hobb on Robert Charles Wilson

    “Robert Charles Wilson continues to surprise and delight. I can’t think of another science fiction writer who understands the strengths of the genre so well and who works with such confidence within its elastic boundaries…Wilson never loses sight of the human angle. His theme is the importance of communication, which, as his characters come to learn, should never remain one-way.”
    --The New York Times on Blind Lake

    “A superior SF thriller.”
    --Publishers Weekly (starred review) on Blind Lake

    “Fizzing with ideas…Intense, absorbing, memorable.”
    --Kirkus Reviews (starred review) on Blind Lake

    “The steely quiet of Blind Lake draws you in like a magnet…Wilson does not ever raise his voice, which does not mean he speaks softly. How he speaks is still. In his calm, stony exile’s gaze upon the prisons of the world, and in his measured adherence to storylines that say that everything may become a little better with much work, he is the most purely Canadian of all the writers brought together here, and Blind Lake is the finest Canadian novel of all these.”
    --John Clute, Toronto Globe and Mail

    "An astonishingly successful m�lange of SF thriller, growing-up saga... and apocalyptic fable in prose that sings the music of the spheres." (Publishers Weekly )

    "Wilson is one of the best science-fiction writers alive. Spin is the best science-fiction novel so far this year." (Rocky Mountain News )

    "Wilson's most ambitious and most successful novel to date.Wide-ranging and well-crafted." (San Diego Union-Tribune )

    "Wilson does so many fine things, it''s hard to know where to begin to praise him." (The Washington Post )

    "Yhe first major SF novel of 2005, another triumph for Robert Charles Wilson in a long string of triumphs." (Locus )

    "Spin is a family drama that would not be out of place on mainstream shelves... a provocative, frequently dazzling read." (SCIFI.COM )


    Customer Reviews

    Dissapointing2
    The process of reading this book seemed much longer than it actually was. The parts of the book that actually deal with plot progression are few and far between, and we are mostly relegated to reading the conversations of a group of completely uninteresting people, exemplified by the sterile narrator Tyler Dupree, who is one of the least engaging characters in fiction. Unfortunately 90% of the contents of this book have no effect on the plot and the book suffers from it, as well as having one of the main characters, Diane, having absolutely no reason for inclusion except to pad the page count. All that aside, their are many interesting concepts and ideas to be found in Spin, it's just a shame that you have to slog through the whole book to get to them.

    Nothing less than perfect5
    This book is that rare combination in sci-fi, or in any other genre or non-genre literature for that matter: fascinating plot, well-constructed and engrossing characters, and enough ideas to leave you wondering for months. It's absolutely brilliant.

    Another great premise - spins itself to nowhere.2
    I love a unique sci-fi premise. This one delivers that in spades. And, it's the premise and the pursuit of understanding what's occurred and how it will be resolved that kept me reading (occassionally through, what could only be generously called some very convoluted writing).

    Ultimately, though, this book just failed to deliver on the great premise. The ending is one, that as it approached, I found myself counting pages - wondering how the situation could be explained and resolved in any sort of meaningful way with so little left to read. The answer was simple, it wasn't going to be.

    BOTTOM LINE: Even for unique sci-fi premise fans, I'd look elsewhere first - or just read it with low expectations of the outcome.

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    Warcraft: World of Warcraft: Tides of Darkness (Worlds of Warcraft)

    Warcraft: World of Warcraft: Tides of Darkness (Worlds of Warcraft)

    Warcraft: World of Warcraft: Tides of Darkness (Worlds of Warcraft)

    After killing the corrupt Warchief Blackhand, Orgrim Doomhammer was quick to seize control over the Orcish Horde. Now he is determined to conquer the rest of Azeroth so that his people will once again have a home of their own in the...

    WORLD OF WARCRAFT

    Anduin Lothar, former Champion of Stormwind, has left his shattered homeland behind and led his people across the Great Sea to the shores of Lordaeron. There, with the aid of the noble King Terenas, he forges a mighty Alliance with the other human nations. But even that may not be enough to stop the Horde's merciless onslaught.

    Elves, dwarves, and trolls enter the fray as the two emerging factions vie for dominance. Will the valiant Alliance prevail, or will the Horde's tide of darkness consume the last vestiges of freedom on Azeroth?

    Product Details

  • Amazon Sales Rank: #17236 in Books
  • Published on: 2007-08-28
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 384 pages



  • Editorial Reviews

    Excerpt. © Reprinted by permission. All rights reserved.

    CHAPTER ONE

    Despite himself, Lothar was impressed.

    Stormwind had been a towering, imposing city, filled with spires and terraces, carved from strong stone to resist the wind but polished to a mirror sheen. But in its own way Capital City was equally lovely.

    Not that Capital City was the same as Stormwind. It was not as tall, for one. But what it lacked in height it made up for in elegance. It sat on a rise above the north shore of Lordamere Lake, gleaming all in white and silver. It did not glitter as Stormwind had, but it glowed somehow, as if the sun were rising from its graceful buildings instead of beating down upon them. It seemed serene, peaceful, almost holy.

    "It is a mighty place," Khadgar agreed beside him, "though I prefer a little more warmth." He glanced behind them, toward the lake's southern shore, where a second city rose. Its outlines were similar to those of Capital City, but this mirror image seemed more exotic, its walls and spires suffused in violet and other warm hues. "That is Dalaran," he explained. "Home of the Kirin Tor and its wizards. My home, before I was sent to Medivh."

    "Perhaps there will be time for you to return, at least briefly," Lothar suggested. "But for now we must concentrate on Capital City." He studied the gleaming city again. "Let us hope they are as noble in their thoughts as they are in their dwellings." He kicked his horse into a canter, and rode down out of the majestic Silverpine Forest, Varian and the mage right behind him and the other men trailing them in their carts.

    Two hours later they reached the main gates. Guards stood by the entrance, though the double gates were wide open and large enough for two or even three wagons to pass abreast. The guards had clearly seen them long before they reached the gates, and the one who stepped forward wore a crimson cloak over his polished breastplate and had gold traceries in his armor and helmet. His manner was polite, even respectful, but Lothar could not help noticing how the man stopped only a few feet away, well within sword range. He forced himself to relax and ignore the laxity. This was not Stormwind. These people were not seasoned warriors, hardened by constant battle. They had never had to fight for their lives. Yet.

    "Enter freely and be welcome," the guard captain stated, bowing. "Marcus Redpath warned us of your arrival, and your plight. You will find the king in his throneroom."

    "Our thanks," Khadgar replied with a nod. "Come, Lothar," he added, nudging his horse with his heels. "I know the way."

    They rode on through the city, navigating its broad streets easily. Khadgar did indeed seem to know the way, and never slowed to ask directions or puzzle over a turn until they had reached the palace itself. There they surrendered their horses to some of their companions, leaving them to mind the steeds. Lothar and Prince Varian were already striding up the palace's wide steps and Khadgar quickly joined them.

    They stepped through the palace's outer doors and into a wide courtyard, almost an outdoor hall. Viewing boxes lined the sides, and though empty now Lothar was sure they filled with people during celebrations. At the far end another short flight of steps led up to a second set of doors, and these opened onto the throneroom itself.

    It was an imposing chamber, its arched ceiling so high overhead its edges were lost in shadow. The room was round, with arches and columns everywhere. Golden sunlight streamed down from a stained-glass panel set in the ceiling's center, illuminating the intricate pattern in the floor: a series of nested circles, each one different, with a triangle at their middle overlapping the innermost ring, and the golden seal of Lordaeron within that. It had several high balconies and Lothar guessed these were for nobles but also appreciated their strategic value. A few guards with bows could easily strike anywhere in the room from those vantage points.

    Just beyond the pattern stood a wide circular dais, its concentric steps rising up toward a massive throne. The throne itself looked carved from glittering stone, all sharp edges and planes and angles. A man sat there, tall and broad, his blond hair only lightly touched with gray, his armor gleaming, the crown upon his head shaped more like a spiked helmet than a coronet. This was a proper king, Lothar knew at once, a king like his Llane who did not hesitate to fight for his people. His hopes rose at the thought.

    There were people here, townsfolk and laborers and even peasants, gathered facing the dais from a respectful distance. Many carried items, scraps of parchment, even food, but they parted before Lothar and Khadgar, falling away from the pair without a sound.

    "Yes?" the man on the throne called out as they approached. "Who are you and what do you wish of me? Ah." Even from here Lothar could see the king's strangely colored eyes, blue and green swirled together -- they were sharp and clear, and his hopes rose still further. Here was a man who saw well and clearly.

    "Your Majesty," Lothar replied, his deep voice carrying easily across the large room. He stopped several paces from the dais and bowed. "I am Anduin Lothar, a Knight of Stormwind. This is my companion, Khadgar of Dalaran." He heard several murmurs from the crowd now behind them. "And this" -- he turned so that the king could see Varian, who had been standing behind him, unnerved by the crowd and the strange trappings -- "is Prince Varian Wrynn, heir to the throne of Storm-wind." The murmurs turned to gasps as people realized the youth was visiting royalty, but Lothar ignored them, concentrating only on the king. "We must speak with you, your Majesty. It is a matter of great urgency and major import."

    "Of course." Terenas was already rising from his throne and approaching them. "Leave us, please," he asked the rest of the crowd, though it was an order despite its polite wording. The people obeyed quickly, and soon only a handful of nobles and guards remained. The men who had accompanied Lothar faded back to the sides as well, leaving only Lothar, Khadgar, and Varian when Terenas closed the distance between them.

    "Your Majesty," Terenas greeted Varian, bowing to him as to an equal.

    "Your Majesty," Varian replied, his training overcoming his shock.

    "We were grieved to hear of your father's death," Terenas continued gently. "King Llane was a good man and we counted him as a friend and an ally. Know that we shall do all in our power to restore you to your throne."

    "I thank you," Varian said, though his lower lip trembled slightly.

    "Now come and sit, and tell me what has happened," Terenas instructed, gesturing to the dais steps. He sat on the top one himself and motioned for Varian to sit beside him. "I have seen Stormwind myself, and admired its strength and beauty. What could destroy such a city?"

    "The Horde," Khadgar said, speaking for the first time since they had entered the throneroom. Terenas turned toward him, and Lothar was close enough to see the king's eyes narrow slightly. "The Horde did this."

    "And what is this Horde?" Terenas demanded, turning first to Varian and then to Lothar.

    "It is an army, more than an army," Lothar replied. "It is a multitude, more than can be counted, enough to cover the land from shore to shore."

    "And who commands this legion of men?" Terenas asked.

    "Not men," Lothar corrected. "Orcs." At the king's puzzlement Lothar explained. "A new race, one not native to this world. They are as tall as we are, and more powerfully built, with green skin and glowing red eyes. And great tusks from their lower lips." A noble snorted somewhere, and Lothar turned, glaring. "You doubt me?" he shouted, turning toward each of the balconies in turn, looking for the one who had laughed. "You think I lie?" He struck his armor with his fist, near one of the more prominent dents. "This was made by an orc warhammer!" He struck another spot. "And this by an orc war axe!" He pointed to a gash along one forearm. "And this came from a tusk, when one jumped me and was too close for our blades to strike one another! These foul creatures have destroyed my land, my home, my people! If you doubt me come down here and say so to my face! I will show you what sort of man I am, and what happens to those who accuse me of falsehood!"

    "Enough!" Terenas's shout silenced any possible reply, anger plain in his own voice, but when he turned to Lothar the warrior could see that this king's anger was not directed at him. "Enough," the king said again, more softly. "None here doubt your word, Champion," he assured Lothar, a stern look around daring any of his nobles to disagree. "I know of your honor and your loyalty. I will take you at your word, though such creatures sound strange to us." He turned and nodded at Khadgar. "And with one of the wizards of Dalaran beside you as a witness, we cannot discount what you say, nor the notion of races never seen here before."

    "I thank you, King Terenas," Lothar replied formally, reining his anger back in. He was not sure what to do next. Fortunately, Terenas was.

    "I will summon my neighboring kings," he announced. "These events concern us all." He turned back toward Varian. "Your Majesty, I offer you my home and my protection for as long as you shall need it," he stated, loud enough for all to hear. "When you are ready, know that Lordaeron will assist you in reclaiming your kingdom."

    Lothar nodded. "Your Majesty, you are most generous," he said on Varian's behalf, "and I can think of no safer and finer place for my prince to reach his maturity than here in Capital City. Know, however, that we did not come here merely for sanctuary. We came to warn you." He stood tall, his voice rumbling across the room, his eyes not leaving Lordaeron's king. "For know this -- the Horde will not stop at Stormwind. They mean to claim the entire world, and they have the might and the numbers to make their dream a reality. Nor do they lack magical might. Once they have finished with my homeland -- " His voice grew deeper and rougher and he forced himself to continue. "They will find a way across the ocean. And they will come here."

    "...


    Customer Reviews

    Excellent4
    A good book with a lot of cool information about the world. Not my favorite in the series of books, but still well worth the read. For anybody with any interest in understanding a lot of the lore behind the World of Warcraft game, the book is fulled with a lot of information that should peak your interest. For other people, still a solid story with a classic ending.

    Nice and enriching storyline5
    For those whom are into Warcraft lore. This is one of the books for you.

    It has an enriching storyline and once you've started it, you won't want to put it down. The words are simply enough to be understood and the flow of the story is just right.

    What?!3
    I liked this book, not the best in the series, and a long way from Richard Knaak's writing, but its decent. It's nice to relive the old memories if you used to play the game as a kid, too. But i have one problem with this Rosenberg fellow. Why is Doomhammer, supposedly a smart commander, so dumb?! When his orcs are unable to batter down the gates of Capital City, he doesn't tell the dragon to use its fire to burn them down, which would have granted him an easy victory. No, he sends it off. WHAT?! How could anyone be so stupid? And when Lothar needs to warn the elves of Silvermoon of the threat of the invading Horde, does he send a gryphon rider? No! maybe it's the author.... but, what the crap??? This book is enjoyable, but the lack of realistic-ness in such instances as those gets very annoying very quickly. Beware! If you're not a big fan of warcraft, but are interested in the series, go for the books by Richard A. Knaak.

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    วันพฤหัสบดีที่ 26 มีนาคม พ.ศ. 2552

    Desecration: Antichrist Takes the Throne (Left Behind No. 9)

    Desecration: Antichrist Takes the Throne (Left Behind No. 9)

    Desecration: Antichrist Takes the Throne (Left Behind No. 9)

    The exciting ninth book in the Left Behind series that has sold over 2.5 million copies in hardcover is now available in trade paperback. In November 2001 Desecration was #1 on the New York Times, USA Today, Wall Street Journal, Publishers Weekly, and CBA Marketplace best-seller lists. With 50 million products sold, the Left Behind series is an international phenomenon.

    Product Details

  • Amazon Sales Rank: #5961 in Books
  • Published on: 2002-05-06
  • Released on: 2002-06-04
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 432 pages



  • Editorial Reviews

    Amazon.com Review
    Amidst the glitzy fanfare of a new world regime, control is unraveling for self-proclaimed god and Global Community potentate Nicolae Carpathia in Desecration, the ninth installment in the Left Behind series. It's 25 days into the Great Tribulation, and the newly resurrected Carpathia evinces an increasing fondness for gruesome killing. He's thrown into turmoil when the first two "bowls of wrath" from the biblical book Revelation are poured out on the world. Water turns into blood, and those who are branded with the mark of loyalty become covered with loathsome sores. When Carpathia commits the ultimate act of desecration against the Judeo-Christian community, chaos ensues. Meanwhile, the Tribulation Force soldiers on, receiving visitations from heavenly messengers that prod the team to greater acts of courage. Jenkins's characters seem almost comic book-like in their actions; the author relies on pages of slangy, slapstick dialogue rather than character development or descriptive settings to flesh out his tales. It's the angst of wondering what disaster will occur next and the fascination with end times that keep loyal fans turning the pages. And there's no shortage of angst here. Chang Wong flirts with suicide. Hattie Durham risks her life in a confrontation with Carpathia. Tsion Ben-Judah inadvertently gives away a secret location. Chloe Williams uncovers a remnant of believers. There are touches of the standard Left Behind humor, and even some romance in the last days. As always, readers are left hanging at the edge of disaster, which should keep appetites whetted for the promised next installment. --Cindy Crosby

    Review
    "Tim LaHaye and Jerry B. Jenkins . . . are doing for Christian fiction what John Grisham did for courtroom thrillers."
    -- Time

    From the Back Cover
    Believers in Jerusalem must flee or take the mark of the beast.

    His Excellency Global Community Potentate Nicolae Carpathia, no longer pretending to be a pacifist, has ordered every Morale Monitor armed as he prepares to travel along the Via Dolorosa and then onward to the temple, where shocking surprises await.

    The lines are drawn between good and evil as God inflicts the first Bowl Judgment upon the flesh of those who have taken the mark, while his chosen ones flee to the wilderness, on the brink of Armageddon.


    Customer Reviews

    PART OF THE LEFT BEHIND SERIES3
    This is one of the later books in the Left Behind Series. Similar to all the others. Fortunately is a story in itself, so if you don't get the whole series you can still get a good read.

    Oye!2
    I've read this series over and over. It's a good easy reading and I think most of the books are good. I don't agree with the writer and the fundamentalist point of view. I don't see how you can get a whole theroy for a "Rapture event" out of one passage of scripture but, whatever. I'm a Chrstian, that's probably why I basically like these. But, this book in particular shows how whimpy a leader Rayford Steele is. They should've put Albie in charge. He was willing to do what was necessary to get the job done. Steels' only concern seems to be whether he can pull rank and be above others that really should be incharge. I find is VERY annoying they all refer to him as "Captain" Steele; "leader in his own mind" and the writers didn't do him justice. I know he's an airline captain but now they're giving it underlying military significance. That's a stretch. He doesn't even want to arm his subordinates against the enemy and he doesn't want to do what's necessary to keep his people alive. That and he thinks it's his call to tell them if they should defend themselves or just get slaughtered. It's a ludicrous idea. Thinking people, with faith or without, would neither follow a man like that or put up with him, I wouldn't. I also was, and have been, very annoyed by the "Mac" character. Not by him persea but at the fact that they've changed him. When we frist meet Mac he's a well spoken Co-pilot. There's NO Texan twang and or verbology to him. Then all of the sudden he's talking like a hick (no offense inteded) speaking like he's never spoken before. This is a prime example of the authors not following their own formula and remembering their own characters. I think around book 5 you start seeing Mac and noticing he's not talking like he was in the beginning. It's annoying! How could the authors not read back and re-aquaint themselves with their own characters before continuing the series?! There were some good points to this book but it definately wasn't their best work. Chloe is as annoying as usual, a basic brat. The more I re-read the series the more aggrevated I get.

    I don't know if I can keep going2
    It has taken me two months to read this book, it never takes me that long to read 1 freaking book. I had to force myself to read it and I was trying to finish this series by the end of the year, doesn't look like it's going to happen..The authors should be ashamed of themselves for milking people by dragging this story out. I hope they don't think they can take all the money with them. And I refused to pay full price of any of the books, so I'm not contributing to their wealth. Thank God for library book sales.

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    วันพุธที่ 25 มีนาคม พ.ศ. 2552

    Rapture in Death

    Rapture in Death

    Rapture in Death

    Each murder victim died smiling. The only one who isn't grinning is New York Police Lieutenant Eve Dallas--because she's got to find out why.

    Product Details

  • Amazon Sales Rank: #3610 in Books
  • Published on: 1996-10-01
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 320 pages



  • Editorial Reviews

    From Publishers Weekly
    The year is 2056. mood-altering drugs are legal, prostitution is licensed, virtual-reality games have replaced TV sets for entertainment and New York supercop Eve Dallas continues her sleuthing in Robb's fourth installment in the Death series (Naked in Death, Glory in Death, etc.). This time around, Eve has married her soul mate, Roarke, and is caught up in the puzzling suicide of a technician who's been working on Roarke's unfinished space resort. The young tech, Eve learns, had cheerfully hanged himself after a VR trip. Back on Earth, autopsies from two similar suicides reveal a pin-sized burn on the brains of the victims. All clues point to a deadly subliminal message in a VR toy?one that Roarke produces. This is sexy, gritty, richly imagined suspense. The fact that it is written by Nora Roberts under the pseudonym J.D. Robb is a tribute to her versatility.
    Copyright 1996 Reed Business Information, Inc.

    Review
    "Sexy, gritty, richly imagined suspense." -- Publishers Weekly

    Review
    "Sexy, gritty, richly imagined suspense." (Publishers Weekly)


    Customer Reviews

    Entertaining, but Frustratingly Vague Series3
    As an long time reader of serial fiction, one thing I've learned is not to read the books in too close of a succession. The writer's flaws become more easily apparent that way. And having discovered the In Death series only about 6 months ago, I followed this advice fairly well. I read book 1, waited about a month and a half and read book 2. Book 3 I read about a month after that. And now, I've completed book 4 about a month and a half later. If was probably in the middle of book 3 when the problems became apparent. This doesn't speak well for a series nearing 30 books. Though, I hope that with time and experience Robb/Roberts improved.

    First, everything is rather vague. As I'm reading, I don't have a really good "visual" of anything in my mind. All I have are impressions. With very few exceptions, I don't have a good picture of the characters or locations. I suppose this is a valid way for an author to provide description, but I prefer more. I'm left feeling unfulfilled. This is a particular hindrance given that the setting is several decades into the future. Other than flying cars, what's futuristic about this future?

    When Robb gets in over her head in some detail, she just cuts away. A prime example was in RAPTURE. An angry Roarke literally scares the heck out of character that has used him. Instead of using this opportunity to show us something specific about Roarke, Robb provides some vague description of how Roarke learned all kinds of nasty things growing up and then cuts away. Next time we see Roarke, he's calmly smoking a cigarette, while his "victim" is huddling in a corner. It's never made clear if Roarke's "assault" was physical or just verbal. Did he do "nasty things" or just promise to.

    Second, the narrator gets lost. Generally, the story is being told from the point of view of Dallas. But out of no where, Robb injects the point of some other character. Sometimes even a minor one. Often multiple POVs are expressed in one scene. My guess is, Robb wants us to know what that other character's thoughts/impressions are. That's fine, but jumping in and out of various people's heads rather randomly strikes me as lazy.

    For example, in RAPTURE, Dallas and Roarke are having a party. Dallas is leading a guest down the hall to her office. The scene if from her POV. Yet, suddenly we're in the guest's head where he's noting how "grand" and expensive things are. Robb did great with a follow up remark from Dallas where she answers an unasked question. Why can't she just do that more often instead of jarring the reader with a random POV?

    If Robb wants us to know what that other character is thinking, she should find another way of doing it. Or, it's not that important. Or, Robb needs to rethink having Dallas as the sole narrator of the story.

    Another particularly bad example of random transition can also be read in RAPTURE. The killer pulls a gun on Dallas and very next thing we're up in Roarke's head. No transition. No page break. Just the very next paragraph. I suppose we can blame the editors for this, but next to similar problems, it's hard to say what is the fault of the editors and what belongs to Robb.

    Third, the lack of character development for Roarke. He was a rounded character in Book 1, which read more like a traditional romance. But since he seems more like a prop for the development of Dallas than anything else. His only thoughts are of her. The only life of his own he has is that he goes out of town every so often to make money. And Dallas can't sleep.

    After 4 books, I'm still no clearer on why he chose Dallas. She's foul mouthed, unsophisticated, "uncouth" relative to him and somewhat hypocritical. (She gets annoyed at the possiblity of his doing something illegal, yet she breaks the rules to take advantage of his illegal hardware when she needs to.) I get that the have similar backgrounds, but he's made himself into something different. He even says several times, that he didn't like cops. So just what is it about her that makes her special? Sure, the two obviously have great sex. But they don't seems to have much in common. Nor do they seem particularly interested in each others' lives unless there is a benefit to them, particularly (ie Dallas using Roarke technology. Or, is Roarke into anyting that will damage Dallas's career.) On the other hand, Roarke only seems to care if Dallas is working too hard or eating enough. Maybe he'd make a better mother.

    Often, Dallas will discuss something bothering her about the case. But I've yet to see her take an interest in what Roarke might be doing. I know this is fiction featuring Dallas. I just wish I felt that the relationship between her and Roarke were more believable.

    Fourth, I understand the format is that of a procedural, but starting with book 2, I was bored a good deal of the time. They read exactly the same. And the killer is usually obvious soon after he/she is introduced.

    Five, I get that Roarke is richer than G-d. But does he have to own everything? Meaning Dallas has easy access to just about any place she likes. And does he have to had slept with just about every good looking female on the planet? Which makes one wonder even more - great sex aside - why Dallas?

    Rapture in Death5
    This book is in great condition. It was just as it was described. I received it in a very timely manner. I would not hesitate to buy from this dealer in the future.

    I liked it a lot:5
    I have now read the first 4 "In Death" novels J.D. Robb (aka Nora Roberts). I guess that officially makes me a fan.

    These books are so good, I plan to read every one of them.

    Each books had gotten better and better progressively. But don't get me wrong each one of them are wonderful.

    The characters are great, and the stories intriguing.

    Each time I finish one, I'm left wanting more. It is so nice to see character development throughout the series. After a while, you start to feel like you know them. Big props to Nora!

    Happy reading.

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    The Harlequin (Anita Blake, Vampire Hunter)

    The Harlequin (Anita Blake, Vampire Hunter)

    The Harlequin (Anita Blake, Vampire Hunter)

    The 15th Anita Blake, Vampire Hunter novel— now in paperback

    Into Anita Blake’s world—a world already overflowing with power— come creatures so feared that centuries-old vampires refuse to mention their names.

    Product Details

  • Amazon Sales Rank: #6577 in Books
  • Published on: 2008-04-29
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 448 pages



  • Customer Reviews

    Anita Blake Fan!5
    The Harlequin shows another facet of Anita's powers and how dangerous it is to come up against their double triumvirate (misspelled?). If only Richard can get himself together. I'm interested to see where Ms. Hamilton / Anita is headed with all these powers. Why were necromancers killed off? Is Larry an unknown necromancer or just an animator? What is this unknown strain in her blood? Is it what defines her as a necromancer? Is it what allows her to collect "were" abilities without changing or with the ability to control her change? Is it the part that connects her to Richard and Nathaniel through the triumvirates? The underlying story is just so interesting. Anyways, this was a really good addition. Hopefully we get more answers instead of more questions. =)

    The Best5
    This book was hands down my favorite out of the Anita Blake Series. It's sexy and complex. The story line and events are creative and imaginative. I loved this book.

    Unfortunately, this book sucks. And not in a good way.1
    I'm another reader who enjoyed and honored the early books in this series. They were a truly original blend of scifi/fantasy with "True Lies" romance and interesting characters. And the sex was fun because it was as imaginative as the supernatural conflicts. But I fear, at this point, Ms. Hamilton is concentrating on other things--certainly not her plotting and self-editing. One star.

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    วันอังคารที่ 24 มีนาคม พ.ศ. 2552

    Cat's Cradle: A Novel

    Cat's Cradle: A Novel

    Cat's Cradle: A Novel

    One of Vonnegut's major works, this is an apocalyptic tale of the planet's ultimate fate, featuring a cast of unlikely heroes.

    Product Details

  • Amazon Sales Rank: #1715 in Books
  • Published on: 1998-09-08
  • Released on: 1998-09-08
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 304 pages



  • Editorial Reviews

    Amazon.com Review
    Cat's Cradle, one of Vonnegut's most entertaining novels, is filled with scientists and G-men and even ordinary folks caught up in the game. These assorted characters chase each other around in search of the world's most important and dangerous substance, a new form of ice that freezes at room temperature. At one time, this novel could probably be found on the bookshelf of every college kid in America; it's still a fabulous read and a great place to start if you're young enough to have missed the first Vonnegut craze.

    Review
    "A free-wheeling vehicle....  An unforgettable ride!" -- The New  York Times.

    "Vonnegut's most  accomplished novel." -- Books And  Bookman -- Review

    Review
    "A free-wheeling vehicle....  An unforgettable ride!" -- The New  York Times.

    "Vonnegut's most  accomplished novel." -- Books And  Bookman


    Customer Reviews

    A funny quick read, but not as much depth3
    Cat's Cradle is the story of a reporter chasing down the family and friends of a one of the "fathers" of the nuclear bomb. The story takes him to a impoverished remote island that has developed its own religion that everyone practices but no one admits to.
    Vonnegut has a hilarious narrative style as always and goes into the fantastic and absurd by the last half of the novel. I would recommend this book for anyone looking for a quick read (especially on an airplane, since some of the best parts take place in the friendly skies). Though it isn't his best, Vonnegut doesn't provide the social commentary that something like God Bless You, Mr. Rosewater.

    Flawed Digital Edition4
    When I got my Kindle I quickly decided that a Vonnegut novel would be the first thing I read, like christening a new ship. "Cat's Cradle" is a superb book, and it remains one of my favorites even 30 years after I first read it. This digital edition, however, needs some heavy proofing by a copy editor. In most-- if not all!-- instances, trailing double quote marks do not immediately follow the final letter or punctuation mark. Instead, they are shifted one space to the right and appear before the first letter of the next word. This frequently gives the appearance of a new character speech, when the author intends only narrative. This is compounded by the author's own use of the word 'Papa' in double quotes. The problem is not a deal killer, but it causes the reader to back up and re-read many sentences to get them back into the proper context, thus yanking the reader frequently out of the story being spun.

    5-star book brought back one star due to a bad digital conversion.

    astounding writing, hard to swallow..4
    this is a technically astounding book - vonnegut weaves his expansive brain-popping creativity into a drum-tight roller-coaster narrative about the end of the world. along the way he invents a fundamentally paradoxical, fascinating, and genuinely alluring religion (bokononism).. and the book is hilarious (!)

    the downside for me *was* an apocalyptic tale *told* entirely in the past-tense - creating a know-it-all tone more relevant in 1963 than it is in 2009 - when we have all the world's major religions, environmentalists, politicians, economists, energy companies, investment bankers, newscasters, etc weaving drum-tight apocalypse narratives for us on a daily basis. the know-it-all tone and cynical humor only exacerbate each other. if kurt saw our potential doom in 1963 (both actually and tense-wise), maybe he could have set his astounding creativity on an escape hatch or two?

    in the entire book, the only present-tense verbiage i find is reserved for bokononisn.. eg: "the first sentence in the books of bokonon is this: 'all of the true things i am about to tell you are shameless lies.'" (p13)

    draw your own conclusions..

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    วันอาทิตย์ที่ 15 มีนาคม พ.ศ. 2552

    Dead as a Doornail (Southern Vampire Mysteries, Book 5)

    Dead as a Doornail (Southern Vampire Mysteries, Book 5)

    Dead as a Doornail (Southern Vampire Mysteries, Book 5)

    When Sookie's brother Jason's eyes start to change, she knows he's about to turn into a were-panther for the first time. But her concern becomes cold fear when a sniper sets his deadly sights on the local changeling population-and Jason's new panther brethren suspect he may be the shooter. Now, Sookie has until the next full moon to find out who's behind the attacks, unless the killer decides to find her first.

    Product Details

  • Amazon Sales Rank: #1053 in Books
  • Published on: 2006-04-25
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback
  • 320 pages



  • Editorial Reviews

    From Publishers Weekly
    Starred Review. Harris's rousing fifth Sookie Stackhouse fantasy-mystery (after 2004's Dead to the World) pits vampires, were-creatures, shifters and one fairy godmother against a sniper with an apparent aversion to nonhumans. If trying to discover who's behind the shootings isn't enough, the telepathic cocktail waitress from Bon Temps, La., has to cope with a few other distractions: her sexy "Were" friend, Alcide Herveaux, needs her help in his father's bid to become the next leader of the local werewolf pack; her boss, Sam Merlotte (a collie in his spare time), gets shot; her house partly burns down; and what's she to do about the handsome vampire bartender who dresses as a pirate at Sam's place? Between one mishap and another, Sookie is one busy gal. Harris does an admirable job of creating a heroine who's not only interesting but completely believable in a world of the strange and the different. Natural and humorous dialogue and a nicely paced plot that doesn't dwell so much on Sookie's old boyfriends help make this entry the best yet in the series.
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From Booklist
    Sookie Stackhouse just can't seem to stay away from the supernatural denizens of Bon Temps, Louisiana. In Dead to the World (2004), she found herself embroiled in vampire politics; this time around, she's involved in the machinations of the Were-people, whose pack leader has just passed away. -Alcide Herveaux asks her to accompany him to the funeral, where Alcide's father declares his candidacy against a slimy, calculating rival. Angry at being drawn into the conflict, Sookie can't distance herself entirely, because a sniper has been taking shots at Were-people, and the community suspects Sookie's brother, Jason, a new shape-shifter. Sookie's love life is every bit as complicated as usual, and her collection of would-be beaux continues to grow. Also, someone wants her dead, which she learns when an assailant sets fire to her beloved house. Harris' southern vampire series remains one of the best of the breed, concocted out of just the right mixture of humor, intrigue, and excitement. Its latest entry does not disappoint. Kristine Huntley
    Copyright © American Library Association. All rights reserved

    Review
    "[A] delightful Southern vampire detective series."
    -- Denver Post (UNKNOWN )


    Customer Reviews

    Love It!!5
    Dead as a Doornail is number 5 in the Southern Vampire Mystery Series. I was a little apprehensive about reading this one because several reviewers gave mediocre or poor reviews. I'm glad I discarded those and read the book anyway! While it was not as great as the last two, it was a good fit in the series and I enjoyed it!

    Doornail picks up where book four left off, and Sookie is still trying to settle down after the Witch War and the Debbie Pelt affair when someone begins shooting shifters. When some of her two natured friends are victims, Sookie tries to find the culprit. At the same time, Sookie gets pulled into Were (wolf) politics when her friend Alcide Herveaux enlists her help to help his father be elected packmaster of Shreveport. To add to the drama, someone sets fire to Sookie's home and she is rescued by the mysterious Charles, the new vampire bartender of Merlotte's, and Claudine, her fairy godmother. The action and drama is nonstop and as with all of Harris' tales, the pages can't turn fast enough!

    There are some interesting developments in the relationship department as well. Alcide uses less than polite means to get Sookie's help, which causes some deterioration of their relationship. I was a little disappointed by this, because I was rooting for an Alcide-Sookie hook up. Eric, her vampire lover from Dead to the World (Book 4), is still trying to remember what happened between them while he was under the witch's spell, which makes for some nice scenes between the two. And we meet Quinn, a new shifter that may have a developing relationship with Sookie. I want to like Quinn, but his character seems a little creepy to me and if he says "babe" one more time, I'll scream!! We also see a prickly side to Sookie's personality, which I found a little harsh, but understandable, at times.

    As an aside, I'm now convinced that Stephenie Meyer ripped off elements of Harris' characters in the Twilight saga. She likes to say that she never read anything about vampires other than Ann Rice's novels, but I'm convinced that's a lie, there are just too many similarities to ignore (e.g., the changing eye colors, the telepathy, the inability of the telepathic character to read the mind of his/her beloved). Twilight is still a great saga, but it's obvious Meyer found some inspiration here, in my opinion.

    Anywho, this was a great addition to the series, and I've already started book six!

    Wow! I can't wait to read the other books. 5
    I refuse to watch "True Blood" till I finish all the books.
    I just love this Sookie character.
    She's independent, sassy, brave and most of all she's a WOMAN.

    Gotta love her...

    Fairies and Werewolves and Tigers, Oh My4
    If you're an avid reader who likes romances and anything written well, but have never imagined enjoying a "paranormal romance," give this series a shot! You'll be surprised! I was never interested in anything remotely related to fantasy or science fiction or vampires, but accidentally picked a paranormal romance up and was very pleasantly surprised. Talk about happy accidents. The fifth installment in the Sookie Stackhouse series is a compelling read, but my goodness was it sad! Our heroine continues to be brave and resilient, but the novel is full of catastrophes. I don't want to wreck the plot for anyone, but one episode with werewolves really broke my heart. I actually missed the sexy amorality of the vampires--they sometimes lighten things up. We continue to learn more about Sookie's town; the townspeople really come together for her on a couple of occasions. Charlaine Harris' depiction of Sookie's community adds texture and richness to this series. Andy, who is a local law enforcer, is becoming an increasingly complex and morally ambiguous character. It will be fun to see what Harris does with him later in the series. Sookie's encounter with Quinn, with memorably purple-brown eyes, makes me hope we see a lot more of him. Also her future job at a vampire summit is promising for future novels. Here's hoping she can have a little more fun, a little more sex, and a few laughs. Let's bail on the werewolves for a while and have some fun!

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    วันเสาร์ที่ 14 มีนาคม พ.ศ. 2552

    Mariel of Redwall (Redwall, Book 4)

    Mariel of Redwall (Redwall, Book 4)

    Mariel of Redwall (Redwall, Book 4)

    When the mouse-ship carrying Joseph the Bellmaker and his daughter Mariel runs afoul of a pirate rat king, they are mercilessly tossed overboard. Washed ashore and certain that her father is dead, Mariel vows revenge.

    "A satisfying ripsnorter of an adventure." --Kirkus Reviews

    "A female protagonist [lends] a contemporary touch to the series...perilous battles and rousing adventure." --Publishers Weekly

    Product Details

  • Amazon Sales Rank: #28748 in Books
  • Published on: 2000-03-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 384 pages



  • Editorial Reviews

    Amazon.com Review
    Heaved off her ship in a pirate raid, Mousemaid Mariel is washed up on the shores of Mossflower. With no idea where she is, or indeed who she is, the young warrior mouse embarks on an unforeseen adventure that will take her to the very heart of Redwall and into the arms of the people who live there.

    Mariel of Redwall is a captivating and magical adventure story in the Redwall series by Brian Jacques. At times gentle, but mostly packed with adventure and heroism on the grandest of scales, this tale is at once delightful and devastating in its proportions.

    Jacques weaves his customary magic, taking the reader to the heart and soul of the mythical Redwall--welcoming, terrifying, magical, and at times all too real. The place, the characters, and the adventure spring to life in a bout of indefinable magic, mystery, and mayhem. An excellent book that will leave readers begging for more. (Fortunately, there's plenty more where this came from!) --Susan Harrison

    From Publishers Weekly
    A female protagonist, Mariel the mousemaid, lends a contemporary touch to the fourth installment in Jacques's Redwall series, which narrates epic events among the animals in the manner of Watership Down.
    Copyright 1993 Reed Business Information, Inc.

    From School Library Journal
    Grade 4-8-- Redwall Abbey is once again the center of a multistranded adventure. Independent of its predecessors, Redwall (1987), Mossflower (1988), and Mattimeo (1990, all Philomel), it follows the mousemaid Mariel in her quest for vengeance against the searat Gabool the Wild and his Rodent Corsairs, who imprisoned her father and left her to drown during a storm at sea. Tough and resiliant, she makes her way to Redwall, where she finds stalwart companions who will accompany her through the Mossflower woods back to Gabool's stronghold, where he is descending into madness. Meanwhile, the good creatures of Redwall are besieged by a renegade band of searats. Intrepid readers willing to tackle a book this long will be further impeded by the sections of dialect used to delineate class structure. Since the writing style is cliched, much of the action contrived to be cute, the characters one-dimensional, and the villains predictable vermin, readers may wonder ``why bother?'' Nor will they find illumination of human-animal kinship. Clever substitutions like ``anybeast,'' ``foremole,'' and ``every ratjack of ye'' serve only to remind that these animals are almost entirely human surrogates. Even the frequent references to woodland cuisine are tedious enough to become unappetizing. A book that's somewhat pretentious, and one that will appeal mainly to fans of Jacques's earlier medieval fantasies. --Margaret A. Chang, North Adams State College, MA
    Copyright 1992 Reed Business Information, Inc.


    Customer Reviews

    Good Service4
    Very good service the book as stated and delivered without ANY mishap of any kind. Thanks (fast too!)

    excellent5
    I tutor/consult home school families. One 7th grader has had difficulty focusing on reading due to a reading disability. I purchased the dvd recording of the Redwall book to introduce him to a way to follow the book while listening to the dvd. He loves it! It is no longer a struggle for his mom to get him to read for the first time in his life. He is able to read, but he has always hated it until now. The recording is done in a fun way with great expression and voices; and even his younger brother who has the same learning disability (but not as severe) loves listening to the dvd and reading now too. The Redwall series are also a great series for boys in upper elementary and junior high level to enjoy outside reading. Thank you for a wonderful product done in a wonderful way to help students!

    One of the best Redwalls yet5
    Mariel of Redwall is the fourth in the Brian Jacques Redwall series. This book like all the others features a cast of young woodlanders fighting evil, this time evil searats. This book has a particularly strong heroine in Mariel, but still relies on friendship and teamwork in order for good to triumph in the end. It is a real page turner and anyone who is enjoying the series will surely enjoy this one too!

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    Last Dragon (Discoveries)

    Last Dragon (Discoveries)

    Last Dragon (Discoveries)

    The debut of a brilliant new voice that will change the fantasy genre forever.

    An intricate web of stories weave together to tell a tale of revenge, justice, ambition, and power. Zhan has been sent to find her grandfather, a man accused of killing not only Zhan's family, but every man, woman, and child in their village. What she finds is a shell of a man, and a web of deceit that will test the very foundations of a world she thought she understood.

    A tale of revenge that grows into something more, Last Dragon is a literary fantasy novel in the tradition of Gene Wolf and Gabriel Garcia Marquez. J.M. McDermott brings the fantasy genre to new literary heights with a remarkable first novel that will leave critics and readers alike in stunned awe.

    Product Details

  • Amazon Sales Rank: #358008 in Books
  • Published on: 2008-02-05
  • Released on: 2008-02-05
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 400 pages



  • Editorial Reviews

    About the Author
    J.M. McDermott graduated from the University of Houston in 2002 with a BA in Creative Writing. He resides in Arlington, Texas with an assortment of empty coffee cups, overflowing bookshelves, and crazy schemes.


    Customer Reviews

    Dragon All Gone4
    "Last Dragon", published as the first of the Wizard of the Coast Discoveries, is like no Fantasy novel I've ever read. It's non-linear, told as a series of letters? reminiscences? campfire tales? that flit about events and times yet slowly and inexorably bring the reader to the book's conclusion.

    To sum up the principal narrative, primary narrator Zahn is on the verge of qualifying as a Rider, a warrior who fights on bison-back, when news comes that her putative grandfather has murdered her mother and all her illegitimate siblings, plus the village shaman. Now Zahn cannot be a Rider; she must follow the shaman's path, instead. But first, she and her uncle Seth must hunt down her grandfather, and exact retribution. She and Seth travel to distant Proliux, where they are separated. Only when Zahn falls in with heretic paladin Adel does she make progress towards her goal. But mercenary forces threaten Zahn's homeland, and perhaps only she and Adel can save it.

    Yet when we first meet Zahn, she is an old woman, looking back on her life and grieving for her lost lover, Esumi, and her murdered child. History, it seems, has repeated itself.

    It's a sad tale, littered with betrayals, and at the same time uncompromising. No convenient explanations are offered for what sometimes seems inexplicable--what was Adel's motive, after all? Perhaps Zahn and her quest take the place of the lost dragon to whom Adel previously gave her allegiance, but if that's so, the novel isn't going to give up the information easily. This is a book that demands to be read, pondered, and re-read, if it's to be understood by the reader.

    One barrier, for me, to engaging with the narrative was that when it changes time and/or place, it makes no overt attempt to clue the reader in. Given the book's told in a lot of short snippets, some only a couple of pages long, some less than a page, this means the reader is constantly jarred by the need to work out where they are and what's going on. This choppiness leads to disengagement, and also means that important information at the beginnings of scenes is lost in the struggle. Further, when the book changes narrators, it doesn't change voice. Towards the middle, it's hard to know if it's Zahn talking to us, or Fest, a mercenary who joins her crew. The overall effect is a bit like trying to understand a radio play when someone--without any warning--keeps switching the channels.

    This book will reward the reader who seeks not immersion in the fictive dream, but the challenge of putting together a disjointed narrative into a text that has meaning for them.

    [this review written by Debbie Moorhouse of GUD Magazine]

    Debute4
    This book reads like the unsystematic but doom-ridden gropings of memory - so much so I thought I was suffering the movements of my own past while I read. It is a peculiar statement, Mr. McDermott has made , stretching memory into grim reconstruction and imaginative interludes. Anxiety, ambivalence, and ambiguity are the three goblins that attend this sad tale of murder and revenge, so much so, I feel certain of Mr. McDermott's authetically literary future. He has not written a trash epic. "Last Dragon" is the finest literary debut since Catherynne M. Valente gave us "The Labyrinth".

    Doesn't mess around5
    I really liked this book. I got it at the library off the new fiction shelf just for the hell of it, and because the back cover made it sound interesting. It reminds me a little bit of the way Le Guin writes fantasy. In fact, for the first few chapters I thought maybe this was a female author, and I mean that as the highest kind of compliment. The format is a little hard to get used to at first, and it jumps around a lot in the story, but it is masterfully written considering it is a debut. I look forward to more from this author.

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    วันศุกร์ที่ 13 มีนาคม พ.ศ. 2552

    I, Robot (The Robot)

    I, Robot (The Robot)

    I, Robot (The Robot)

    The three laws of Robotics:
    1) A robot may not injure a human being or, through inaction, allow a human being to come to harm
    2) A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law.
    3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

    With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.

    Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark.


    From the Hardcover edition.

    Product Details

  • Amazon Sales Rank: #18171 in Books
  • Published on: 2008-04-29
  • Released on: 2008-04-29
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 256 pages



  • Editorial Reviews

    Amazon.com Review
    In this collection, one of the great classics of science fiction, Asimov set out the principles of robot behavior that we know as the Three Laws of Robotics. Here are stories of robots gone mad, mind-reading robots, robots with a sense of humor, robot politicians, and robots who secretly run the world, all told with Asimov's trademark dramatic blend of science fact and science fiction.

    From the Inside Flap
    The three laws of Robotics:
    1) A robot may not injure a human being or, through inaction, allow a human being to come to harm
    2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.
    3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

    With this, Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.

    Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact & science fiction that became Asmiov's trademark.

    About the Author
    Isaac Asimov began his Foundation Series at the age of twenty-one, not realizing that it woudl one day be considered a conerstone of science fiction. During his legendary career, Asimov penned over 470 books on subjects ranging from science to Shakespeare to histroy, though he was most loved for his award-winning science fiction sagas, whcih include the Robot, Empire, and Foundation series. Named a Grand Master of Science Fiction by the Science Fiction and Fantasy Writers of America, Asimov entertained and educated readers of all ages for close to five decades. He died, at the age of seventy-two, in April 1992.


    From the Hardcover edition.


    Customer Reviews

    Mint5
    So, I'm not reviewing the book. You know if you like it. But the delivery was immediate, the condition excellent.

    I, Robot5
    Very good condition, arrived in a timely matter. Super service look forword to buying from you again.

    Possibly, Asimov's best book5
    "I, Robot" is a book of short stories by Asimov. Among other things, it presents Asimov's Three Laws Of Robotics. The stories show how these robotic laws might affect robot actions. Please note: in today's real world, computers and 'robots' do not use Asimov's Three Laws Of Robotics or any reasonably similar limitations. There are good reasons for that. For one thing, no current computer has the equivalent of human judgement to employ such laws in a reasonable, logical, way. In fact, real life digital computing may never be able to work in this manner. Asimov's robots do not, exactly, use digital circuits or the very strict logic of digital computers. His robots are more flexible thinkers than digital logic allows.

    Read the book. The stories are interesting and engrossing.

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